{"id":170,"date":"2017-02-16T16:29:02","date_gmt":"2017-02-16T15:29:02","guid":{"rendered":"http:\/\/new.musicanet.org\/?page_id=170"},"modified":"2025-01-27T20:36:48","modified_gmt":"2025-01-27T19:36:48","slug":"presentation","status":"publish","type":"page","link":"https:\/\/www.musicanet.org\/fr\/a-propos-de\/presentation\/","title":{"rendered":"Pr\u00e9sentation"},"content":{"rendered":"

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\ue058<\/span><\/p>\n

Pr\u00e9sentation<\/h1>\n

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Musica International<\/strong> est une base de donn\u00e9es collaborative multilingue multim\u00e9dia du r\u00e9pertoire choral mondial. Elle s’adresse aux chefs de choeur, \u00e9diteurs, compositeurs, organisateurs d’\u00e9v\u00e8nements choraux et plus g\u00e9n\u00e9ralement \u00e0 tous amateurs de chant choral qui cherchent \u00e0 s\u00e9lectionner, (re)d\u00e9couvrir, et\/ou localiser des partitions.<\/p>\n

Initialement cr\u00e9\u00e9 en 1983 et d\u00e9velopp\u00e9 au Centre d’Art Polyphonique d’Alsace<\/strong> (CAPA<\/strong>), France, le projet MUSICA a re\u00e7u, en 1990, le soutien et l’association du Centre International pour la Musique Chorale<\/strong> (CIMC<\/strong>) afin de satisfaire le souhait de la F\u00e9d\u00e9ration Internationale pour la Musique Chorale<\/strong> (FIMC<\/strong>) de cr\u00e9er une base de donn\u00e9es exhaustive du r\u00e9pertoire de musique chorale du monde entier. Plus de trente ans plus tard, Musica renferme des donn\u00e9es concernant plus de 200 000 partitions.<\/p>\n

MUSICA est ainsi devenu un pr\u00e9cieux et puissant outil de recherche documentaire chorale et un outil p\u00e9dagogique au service des chefs de ch\u0153ur, musicologues, conservatoires, \u00e9coles de musique, f\u00e9d\u00e9rations musicales, biblioth\u00e8ques musicales, magasins de musique, etc… mais aussi des amateurs et curieux du r\u00e9pertoire choral. Il convient \u00e9galement parfaitement \u00e0 la gestion d’une biblioth\u00e8que musicale chorale<\/strong>, bas\u00e9 sur une \u00e9laboration coop\u00e9rative avec d’autres biblioth\u00e8ques.<\/p>\n

La structure documentaire<\/strong> de chaque fiche d\u00e9crivant une partition comporte 80 types d’informations diff\u00e9rentes (compositeur, harmonisateur, titre, \u00e9diteur, genre et forme, difficult\u00e9s, type de formation chorale, langue, \u00e9poque, instrumentation, etc …). Chaque champ documentaire fait l’objet de contr\u00f4les de coh\u00e9rence et d’homog\u00e9n\u00e9it\u00e9. Pour satisfaire \u00e0 l\u2019exigence d\u2019internationalit\u00e9, la base de donn\u00e9es est multilingue (en fran\u00e7ais, allemand, anglais et espagnol) ; une vingtaine de types d\u2019informations se traduisent ainsi automatiquement au moyen de th\u00e9saurus multilingues \u00e9labor\u00e9s par l’\u00e9quipe de Musica International.<\/p>\n

Une association \u00e0 but non lucratif, \u00ab Musica International<\/a> \u00bb est cr\u00e9\u00e9e le 6 F\u00e9vrier 1998, et se charge depuis de d\u00e9velopper la base de donn\u00e9es Musica, d\u2019\u00e9tendre son utilisation dans le monde entier et de l’enrichir \u00e0 l\u2019aide de la communaut\u00e9 des contributeurs b\u00e9n\u00e9voles. Elle propose \u00e0 toute f\u00e9d\u00e9ration, universit\u00e9, institution, fondation, biblioth\u00e8que musicale, \u00e9diteur d\u00e9sirant promouvoir la diffusion du r\u00e9pertoire choral, d’adh\u00e9rer \u00e0 Musica International et de participer au d\u00e9veloppement de la biblioth\u00e8que virtuelle. En 1998, des partenaires de 14 pays participaient d\u00e9j\u00e0 \u00e0 la saisie des donn\u00e9es et \u00e0 la diffusion de l’information.<\/p>\n

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\ue058 Pr\u00e9sentation Musica International est une base de donn\u00e9es collaborative multilingue multim\u00e9dia du r\u00e9pertoire choral mondial. Elle s’adresse aux chefs de choeur, \u00e9diteurs, compositeurs, organisateurs d’\u00e9v\u00e8nements choraux et plus g\u00e9n\u00e9ralement \u00e0 tous amateurs de chant choral qui cherchent \u00e0 s\u00e9lectionner, (re)d\u00e9couvrir, et\/ou localiser des partitions. Initialement cr\u00e9\u00e9 en 1983 et d\u00e9velopp\u00e9 au Centre d’Art Polyphonique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-fullwidth.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-170","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/pages\/170\/"}],"collection":[{"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/pages\/"}],"about":[{"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/types\/page\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/comments\/?post=170"}],"version-history":[{"count":0,"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/pages\/170\/revisions\/"}],"up":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/pages\/8\/"}],"wp:attachment":[{"href":"https:\/\/www.musicanet.org\/fr\/wp-json\/wp\/v2\/media\/?parent=170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}