{"id":2953,"date":"2017-09-29T15:22:16","date_gmt":"2017-09-29T13:22:16","guid":{"rendered":"http:\/\/new.musicanet.org\/uncategorized\/prize-2000-of-alsace-foundation\/"},"modified":"2023-02-01T18:12:44","modified_gmt":"2023-02-01T17:12:44","slug":"prize-2000-of-alsace-foundation","status":"publish","type":"post","link":"https:\/\/www.musicanet.org\/en\/awards\/prize-2000-of-alsace-foundation\/","title":{"rendered":"Prize 2000 of “Alsace Foundation”"},"content":{"rendered":"

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Prize 2000 of “Alsace Foundation”<\/h1>\n
\n

“Created in 1985,\u00a0FONDATION ALSACE<\/a>\u00a0aims to\u00a0enlight<\/span>\u00a0the extraordinary abundance of projects initiated and developed in Alsace.
In this mosaic of talents, of competences and of creative forces,\u00a0FONDATION ALSACE<\/a>\u00a0awards know-hows<\/span>\u00a0and exemplary projects. It helps them to be recognized and to go forward.”<\/p>\n

translated from the brochure “Alsace, Terre de talents”.<\/em><\/p>\n<\/blockquote>\n

In year 2000, seven projects have been awarded, in the domain of social life, medicine and culture. Patron of the prize of Jean Sturm: Adrien Zeller, president of the\u00a0Conseil R\u00e9gional d’Alsace<\/p>\n

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Jean Sturm, our executive director, was awarded a Prize 2000 by the “Alsace Foundation” for the Musica International project. <\/p>\n","protected":false},"author":1,"featured_media":8688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[32],"tags":[],"class_list":["post-2953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-awards","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/posts\/2953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/comments?post=2953"}],"version-history":[{"count":0,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/posts\/2953\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/media\/8688"}],"wp:attachment":[{"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/media?parent=2953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/categories?post=2953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicanet.org\/en\/wp-json\/wp\/v2\/tags?post=2953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}