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A wonderful rewarding experience. Join us!
Musica workshops for directors, librarians and publishers, composers. A project to include into a single multilingual database the whole choral repertoire of the world.
Registrations are still open! REMINDER: MUSICA, AN INTERNATIONAL CHORAL MUSIC RESOURCEAre you looking for 17th century German motets for 6 to 8 voices? Or a work for mixed chorus with string orchestra accompaniment in English under 10 minutes in length, preferably from the 18th century? Musica The International Choral Repertoire Database (http://www.musicanet.org) is a tool that can assist you in your search. An extensive database of choral music from around the world (and an official project of the International Federation for Choral Music), Musica is being built by member organizations in France, Belgium, Germany, Holland, Great Britain, Canada, Switzerland, Venezuela, Hungary, Spain, Poland, Australia, Argentina and the United States. Comprising over 150,000 entries, and growing, the database is currently searchable
in four languages: English, French, German, and Spanish. In addition to standard
bibliographic fields (composer, title, author of text, publisher, etc.), there
are fields which identify the key, the level of difficulty for conductors to
teach and for choirs to learn a piece, voicing, instrumentation, country of
the composer, century of composition, keywords, and many other variables, all
of which can be used to limit a search.
ASSIST IN THE DEVELOPMENT OF MUSICAThe aim of Musica - the creation of a comprehensive choral resource that is international in scope and available world-wide - can be reached by being a cooperative collaboration of choral conductors, music librarians, and publishers. The idea of the Musica working-sessions is to bring conductors, librarians, publishers and composers together for one week to share collegial time together and to enter new choral repertoire into the database. A Musica team is present to have a network of computers working smoothly and to teach people how to input new data as well as how to use the power of the database for their own explorations of choral repertoire. Seminars are organized to try to find together solutions for unsolved documentation questions about the database (such as optimization of descriptions of instrumentation, categorized keyword descriptions, etc.). The success of these sessions is due to several factors: · Working in a focused, concentrated week is an efficient way to enter a large amount of new data in a short amount of time. WHAT HAPPENS DURING A MUSICA WORKSHOP?A Musica workshop aims at entering a significant number of scores in a short amount of time. This is done with score in hand, entering standard bibliographic data but also entering musical information: key, musical incipit, level of difficulty for choir to learn and conductor to teach, etc During the first morning of the session, there will be a
demonstration of the database and instruction on data entry. For the
remainder of the week, you'll be entering new records, as well as
having a chance to do your own research in the database; there may be
some other special projects such as augmenting existing records for
composers, or, for someone who has strong German, French, or Spanish
language skills, providing translations for Musica's multilingual
thesauruses.
Generally, the schedule is defined collegially at the beginning of the session. Thus a typical time schedule is: - in the morning, work from 9:00 am to 12:15 (coffee break around
11:00) But you're a volunteer, and you're free to choose to spend time exploring the town or doing research in the library or anything else. The computer room is accessible day and night, except for the backups of data. What music will be entered? Participants can bring their favorite pieces to enter, or they can simply grab a stack of music from the local library. If this sounds like work, well, it is, a sort of ... but also very
satisfying. Previous participants at sessions have enjoyed themselves
so much ... that they come back regularly: Paul, Dominique, Raymond,
Doris, Jane, Kathryn...! Jean
Sturm, Executive Director of Musica International : office(at)musicanet.org, will be running these sessions; he has a
very special sense of hospitality and a unique commitment to this
project. He quickly helps to create an environment of friends working
toward a common goal, so even the work is fun.
COST AND ACCOMMODATIONSAttendance to a Musica Workshop is entirely free.
You have only to take care of your travel expenses and your food and lodging.
What to take with you:
HOW TO APPLYThere is no formal application process to attend a Musica session. If you think you'd like to join us, please contact theMusica Coordination (office(at)musicanet.org), and send brief summary of your choral experience. Volver
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