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Musica is willing to be a comprehensive database--an invaluable resource for performers and researchers alike--not a simple catalog of publishers! To be in tune with this goal, be as comprehensive and precise as possible. The documentary structure of Musica is the result of 20 years of thought and of a constantly evolving methodology. Each of the available fields has been designed to be valuable for at least some users. |
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In order to guarantee the homogeneity and the integrity of Musica, all submissions are reviewed by the Musica team before being added to the database.
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In order to accommodate all of the information that can be entered or that is linked to a Musica record, 4 different forms are available for entry
You need to submit a form only if there is no existing record in Musica for the score, the composer, the author of text, or the publisher. For each publisher, composer, or author of text, you need to fill in the corresponding form only once, even if you submit several scores. If you do not want to have several forms under work at the same time, submit first the composer or the author of text or the publisher with the corresponding form if, after one or two searches, you conclude that the one or the other does not exist in Musica yet. |
1 single record of a same score at the same publisher if it exists in octavos with different reference numbers. 1 single record of a same score at the
same publisher if it appears in different collections. If all of these fields match, do not enter a new record. Do not submit unpublished scores that are not available for visitors of Musica ! |
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